The current fury over Political Correctness goes back to the 1990s
Our current controversies over free speech on campus actually represent the second set of battles in a culture war that erupted in the U.S. during the late 1980s and that subsided by the mid-1990s — its cessation probably due to the emergence of the World Wide Web as a vast, new forum for dissenting ideas. The openness of the web scattered and partly dissipated the hostile energies that had been building and raging in the mainstream media about political correctness for nearly a decade. However, those problems have stubbornly returned, because they were never fully or honestly addressed by university administrations or faculty the first time around. Now a new generation of college students, born in the 1990s and never exposed to open public debate over free speech, has brought its own assumptions and expectations to the conflict.
As a veteran of more than four decades of college teaching, almost entirely at art schools, my primary disappointment is with American faculty, the overwhelming majority of whom failed from the start to acknowledge the seriousness of political correctness as an academic issue and who passively permitted a swollen campus bureaucracy, empowered by intrusive federal regulation, to usurp the faculty’s historic responsibility and prerogative to shape the educational mission and to protect the free flow of ideas. The end result, I believe, is a violation of the free speech rights of students as well as faculty.
What is political correctness? As I see it, it is a predictable feature of the life cycle of modern revolutions, beginning with the French Revolution of 1789, which was inspired by the American Revolution of the prior decade but turned far more violent. A first generation of daring rebels overthrows a fossilized establishment and leaves the landscape littered with ruins. In the post-revolutionary era, the rebels begin to fight among themselves, which may lead to persecutions and assassinations. The victorious survivor then rules like the tyrants who were toppled in the first place. This is the phase of political correctness — when the vitality of the founding revolution is gone and when revolutionary principles have become merely slogans, verbal formulas enforced by apparatchiks, that is, party functionaries or administrators who kill great ideas by institutionalizing them.
What I have just sketched is the political psychobiography of the past 45 years of American university life. My premises, based on my own college experience at the dawn of the counterculture, are those of the radical Free Speech Movement that erupted at the University of California at Berkeley in the Fall of 1964, my first semester at the State University of New York at Binghamton. The Berkeley protests were led by a New York-born Italian-American, Mario Savio, who had worked the prior summer in a voter-registration drive for disenfranchised African-Americans in Mississippi, where he and two colleagues were physically attacked for their activities. When Savio tried to raise money at Berkeley for a prominent unit of the Civil Rights Movement, the Student Nonviolent Coordinating Committee, he was stopped by the university because of its official ban on political activity on campus.
The uprising at Berkeley climaxed in Savio’s fiery speech from the steps of Sproul Hall, where he denounced the university administration. Of the 4000 protestors in Sproul Plaza, 800 were arrested. That demonstration embodied the essence of 1960s activism: it challenged, rebuked, and curtailed authority in the pursuit of freedom and equality; it did not demand, as happens too often today, that authority be expanded to create special protections for groups reductively defined as weak or vulnerable or to create buffers to spare sensitive young feelings from offense. The progressive 1960s, predicated on assertive individualism and the liberation of natural energy from social controls, wanted less surveillance and paternalism, not more.
This article continues at [The Smart Set] FREE SPEECH & THE MODERN CAMPUS