Documentary on the Christian revival taking place in Russia makes its theatrical debut
VIDEO: Online source for the full documentary ‘Faces Among Icons,’ which documents the Russian Orthodox Church from persecution in 1917 to its subsequent revival after the fall of the Soviet Union in 1991.
Faces Among Icons chronicles the devastation of the Russian Orthodox Church following the 1917 Russian (Bolshevik) Revolution and its rebirth following the 1991 fall of the Soviet Union.
The Rome-based filmmaker of the documentary, Robert Duncan of Catholic News Service, was on hand to participate in a panel discussion of the movie and its topic. He was joined by the seminary’s president and president of the student council.
“I set out to make a film that was representative of Russian Orthodox life today,” Duncan said.
“Superficially, a film about the Russian church and its relationships to geopolitics was a way I could tap into the extraordinary interest of the secular media in Russia following the 2016 presidential election,” he said. “Since the Danilov Monastery, at least in popular imagination, looms in the background of Kremlin politics, there was an obvious ‘church angle’ to the Russia story post 2016.”
Faces Among Icons was released by Catholic News Service in 2017, timed to coincide with the centenary of the Russian Revolution.
It also marked the 100-year anniversary of the Marian apparitions at Fatima, at which time the Virgin Mary was said to have predicted the conversion of Russia to Christ.
Faces Among Icons showcases a range of Russian citizens who offer firsthand accounts of the changes in religious life inside their country since the fall of communism.
Following the documentary’s screening, Russian Orthodox Archpriest Chad Hatfield, president of St. Vladimir’s Orthodox Theological Seminary, noted the individuals speaking in the film provide widely diverse personal perspectives to which church-state cooperation is deemed beneficial.
This article continues at [Crux Now] Documentary exploring Russian Christianity makes its theatrical debut